audio
Midnight Radio compilation various artists 26
midnightradio compilation
1. Tangerine Tom - Midnight Club DOWNLOAD-SHOP http://www.kleinewelttheater.de/musik/atmospheric-sounds/tangerine-tom-club-live/1-21-hertz-pre-release BOOKING-INFO http://www.kleinewelttheater.de/musik/tour-programm/instrumental-ambient-electro VITA http://www.kleinewelttheater.de/menschen/thomas-hoeveler SOUNDCLOUD https://soundcloud.com/tangerine-tom PRESSEINFO Thomas Hoeveler alias Tangerine Tom verbindet Electro mit Lounge, Ambient mit Dancefloor, Chillout mit NuJazz. Die Sounds und atmosphärischen Klänge erzeugt er nicht nur mit synthetischen Klangerzeugern, sondern er mixt gesamplete Loops analog erzeugter Naturklänge oder natürlicher Instrumente in seine Soundscapes und Kompositionen. Live improvisiert er über diese Samples und Loops mit Stimme, E-Gitarre und Keyboard. 2. Antz & Bones - Morning Sky www.antzandbones.de twitter.com/antzandbones soundcloud.com/antzandbones 3. Elypixa - Old Piano https://myspace.com/elypixa https://soundcloud.com/elypixa 4. Sencer Kilic - Remnants of Battle Born in Istanbul, Turkey. Firstly an interest in low end springed and started to play bass as the first instrument. Then sound manipulation journey started. Fascination by film and game audio and atmosphere led me to decide compose in the genre of electronic music. More into genres like electroacoustic music, dark ambient, death metal etc... Lately started to study audio technologies at master degree in Bahçeþehir University. https://soundcloud.com/sencerkilic 5. LndMTHRFCKR - Man i'd Like To Suck LndMthrFckr/Eclectronic Producer/GHGR Management www.landmaker.bandcamp.com www.ghgr.be 6. Red Clouds - in the sky james hoehl www.redcloudsspace.com soundcloud.com/red_clouds dark electronic space noise drone 7. Corvus Mukuro Project - Invierno https://soundcloud.com/corvus-mukuro Proyecto musical, de darkwave, teniendo un solo miembro, tomando influencia de bandas como Lacrimosa, Christian Death y bandas más alternativas como The Smashing Pumpkins y Joy Division. 8. Spectroscope - Midnight In The City https://soundcloud.com/spectroscope 9. Symmetry - Singularity https://soundcloud.com/user5879063 https://www.facebook.com/pages/Symmetry/259417654070098 Created live presentations in collaboration with the AT&T InfoQuest Center, The New York Hall of Science, The Museum Of Holography and Azimuth Visuals. The original Symmetry band was established in June of 1978 by students from the graduating class behind "Fame". Jose Murcia and John Rivera shared a passion for music and electronics through the use of home-made sound generating gadgets, tape recorders and consumer electronic keyboards (synthesizers were too expensive back then). The name was inspired by the music and the album covers of Synergy (Larry Fast) as well as studies in geometry and surrealist art. Symmetry's music has evolved over the years and developed into a uniquely diversified style that is difficult to pin down. To put it into terms, Symmetry is a reflection of Divine perfection on Earth and throughout the universe. 10. Sven Meyer - Mankind I https://soundcloud.com/sven-meyer https://www.facebook.com/pages/Sven-Meyer/247659878601544 Hi, I'm Sven Meyer. Born in 1973. Music is something alive and fascinating. Wherever it Ambient, Techno, Noise, Minimal, Electronic and Experimental Music, which I myself and my style varies. It may sound dark or abstract. It may seem disturbing or even fascinating. You can like them or feel as disgusting, but it is the style that characterizes my music. I do not play music, rather I play with the music, the sounds, the unusual, it excites me. It is honest music that nothing hides. And so are my tracks. I´m also Member of @clockwork-keyboard and The Dark Electronic Poets. (@the-dark-electronic-poets) So I am. I appreciate everyone who stays with me a little, listen to my music. Each fair comment is appreciated, Thanks, Sven 11. Cousin Silas - The Birth Of Frankie James cousinsilas.blogspot.de www.facebook.com/thecousinsilas https://en.wikipedia.org/wiki/Cousin_Silas Cousin Silas was born in 1959 and raised in the Colne Valley in West Yorkshire. He draws inspiration from such diverse sources as JG Ballard, Fortean events, memories and Brian Eno. Cousin Silas has been creating richly-textured ambient electronic music since 1996. He hails from West Yorkshire. 12. EXEDO - spade www.attenuationcircuit.de http://emerge.bandcamp.com/ 13. Desh Alb - Jeder Mensch braucht Liebe soundcloud.com/desh-alb www.facebook.com/DeshAlbmusic Ambient elettronic music, dark ambient,drone music, I grew up under the shadow of the '70s german cosmic music, listening to Tangerine Dream, Klaus Schulze, Manuel Götsching, Ash Ra Temple, Popul Vuh, Kraftwerk, Brian Eno and many other artists who were pioneers and creators of the modern electronic music. Desh Alb Project was born at the beginning of 2013. I mainly propose dark ambient, but more generally electronic music composed with Logic, virtual synth and iPad. My music is moving between light and dark, in a place where suggested melodies melt in the dissonance of the pure noise. Everday recordings mix with deep space sounds, acoustic landscapes apparently so remote but living in our subcounscious.If you want to travel with me, close your eyes and wear your headphones, or blast the sound out in the space. If I will catch your mind with my music, I will be very happy...Thanks for listening 14. Swun - All Those Moments Facebook: https://www.facebook.com/swunswunswun SoundCloud: https://soundcloud.com/swun-1 Bandcamp: http://swun.bandcamp.com/ Electronic music producer from Italy. Signed by MYRDAL. Biografie Pietro Bardini (a.k.a. Archein / Swun) Electronic music producer born in Reggio Emilia, a quite city in the north of Italy in August 3rd 1993. He started to be involved in music when he was 14, in that period Pietro loved an style of electronic music known as “House”, so he decided to become a DJ and also buy his first mixer. Being a DJ he played in parties and for friends. At the age of 16 he started playing the piano and bought his first synthesizer. Currently for his project “SWUN”, Pietro’s trying to focus more on the melodic part instead of the rythm, because he thinks that the current music has lack of melody and magic. 15. Tsone - April Facebook: https://www.facebook.com/anthony.obr SoundCloud: https://soundcloud.com/tsone Bandcamp: http://tsone.bandcamp.com/ Tony Obr is a multimedia artist whose design aesthetic focuses mainly on the innovative uses of sound in a non-musical context. In the past few years his work has centered on the development of interactive systems for dance performances and art installations. His work has been heard in the Phoenix Art Museum, the Scottsdale Center for Performing Arts and on various record labels around the world. 16. kold - Into the Ice Cave https://www.facebook.com/outtheremusicpromotion 17. Member 01 - Silent Night Fluggsheim Underground Music - SKY * WAVES * STARS * Artist : Member 01 (Harald Bertram) http://haraldbertram.bandcamp.com http://www.facebook.com/pages/Harald-Bertram/192055414197277 http://www.youtube.com/user/HaraldBertram http://www.facebook.com/RauchgemeinschaftMerck05 https://soundcloud.com/hb2200 Additional Pages https://www.facebook.com/HBFUM Management https://www.facebook.com/yvonne.basler.3 18. Vava Vol - Proletariat "Text, music and image copyright Vava Vol 2014. All rights reserved. www.myspace.com/vavavol www.reverbnation.com/vavavol soundcloud.com/vava-vol www.last.fm/music/Vava+Vol www.facebook.com/vavavol vavavol.blogspot.ca A venture into the ether of experiential electronica and dark ethereal vocals. Western Board of Music and Royal Conservatory of Toronto Grade VIII graduate in classical piano and Harmony III. Awarded a grant from the Canada Council of Performing Arts in 1984 to perform in West Berlin, Germany. I am fluently bilingual in both french and english. When I moved to Montreal in the late 70s, there was a burgeoning night club and indie underground music scene happening. Wanting to be a part of this energy, some friends and I formed a group called The Essentials. My musical role was a keyboardist/singer. Our music was brit pop/rock influenced and our hits included "You're Too Rude" and "Can't Afford". My next venture was Duo-tang, a two-member electronica/experimental/reggae-jazz infused duo. We used various mono/poly analog synths, a beat box, bass sequencer and a vocoder to create our eclectic music. We performed regularly at art and club spaces in and around Montreal. While working as the other half of Duo-tang, I acquired a taste for singing in various languages and an interest in industrial noise music, which led me to the beat/drone machine master Zilon, who was then a member of Montreal’s Neoist movement. Zilon and I worked together on various art and club projekts and performed at the Pyramid and at the opening night of the infamous NYC Lower East Side club, Save the Robotz. Our kid was SensitivOrganz with yours truly on e-bass, synths & vocals, Zilon on beats/back vocals/white noise/drones and Claudius on electric and bass guitars. Peppered here and there were numerous solo gigs in and around Montreal, New York City and Berlin, lots of radio interviews, more notably one with CBC Radio's "Brave New Waves" and other french and english press reviews. Included was a feature article, written by Llys Dana, for the Paris arts and cultural magazine "Kanal, Le Journal des Cheyennes". I was also snapped by Paige Powell at the Pyramid Club and the pic was later published in Andy Warhol's "Interview" magazine. Always the antediluvian, I found time to portray a warrior queen in the Montreal play entitled "Opus Contre Nature" which was based on a battle between androgyns and warriors. Opus gave birth to the songs "Primitiv" and "Amazomium", written and produced by Jacques Demers and Jean Paré. In the fall of '83, "Savana" was filmed on-set at l'Eskabel in collaboration with P.R.I.M. video. The Canada Council grant I was awarded in 1984 allowed me to travel to West Berlin and paved the way for my first two cassettes "MetalArbeitenSchlinge Part 1 - Montreal and "MetalArbeitenSchlinge Part 2 - Berlin". Originally released on 100 numbered cassettes, "MetalArbeitenSchlinge Part 1 - Montreal" was packaged in a 5"x8" plastic envelope including pictures and song notes and was distributed by Montreal's Bunker record store. Upon my return from Berlin, I released “MetalArbeitenSchlinge Part 2 – Berlin”. The cover shots for Part 1 and Part 2 were selected from a series of portraits taken in West Berlin and were courtesy of the Berliner photographer, Nicole Fortin. In 2009, I re-released Parts 1 & 2 in MP3 format as well as my 1990s musical collaborations “SensitivOrganz – The Warehouse Sessions",“SensitivOrganz SOS” and “SensitivOrganz Porno No-No”. My recent works entitled “Portents” and “Compositions/ Décompositions” were released shortly thereafter. Many thanks to Zilon Lazer for his brilliant musicianship and support and Josh Fried for his remarkable live mix on "Primitiv", at NYC's, Pyramid Club. Throughout my musical career, I have been privileged to work with the incredible videographers Paul "Simon Eyes" Antoniadès, who was kind enough to chronicle my legacy of live shows and performances and Diane "Yana Tape" Lassonde who, together with Simon Eyes, generously offered her video art as installations and backgrounds to my shows. Profil en Français Diplômée du Western Board of Music et du Conservatoire Royal de Toronto VIII année en piano classique et Harmonie III. Récipiendaire d’une bourse du Conseil des arts du Canada pour les arts de la scène en 1984 pour performances à Berlin ouest en Allemagne. Bilingue, parle couramment l’anglais et le français. J’ai déménagé à Montréal à la fin des années 70, et à cette époque on assistait à l’émergence d’un monde parallèle de clubs de nuit et de musique underground locale. Moi-même et certains amis musiciens voulions faire partie de cette énergie et nous avons formé un groupe nommé “The Essentials”. Mon rôle musical était claviériste et chanteuse. Notre musique était influencée par la musique pop rock britannique et on compte parmi nos succès "You're Too Rude" et "Can't Afford". Mon projet suivant était Duo-tang. Nous étions deux membres d’influence électronique/expérimentale/reggae-jazz qui formions ce duo. Nous utilisions divers synthétiseurs mono/poly analogue, boîte à rythmes, séquenceur de basse et vocodeur pour créer notre musique éclectique. Nous avons donné des spectacles régulièrement dans des lieux d’art et des clubs à Montréal et dans la région métropolitaine. Mon travail avec l’autre moitié de Duo-tang a suscité en moi un intérêt pour le chant dans différentes langues ainsi qu’un intérêt pour la musique industrielle expérimentale, ce qui m’a menée au maître de l’expérimentation sonore Zilon, qui était alors membre du mouvement néoïste de Montréal. Zilon et moi avons travaillé ensemble sur divers projets dans les milieux de l’art et des clubs de nuit, et nous avons présenté une performance musicale au Pyramid et lors de la soirée d’ouverture de Save the Robotz, le célèbre club du Lower East Side de New York. Notre collaboration a donné naissance à Sensitiv Organz. Je faisais la basse électrique, les synthétiseurs et voix principale, Zilon rythmes/voix/bruits/effets sonores et Claudius la guitare électrique et la basse. J’ai donné plusieurs spectacles solo à Montréal et dans la région, à New York et à Berlin, ainsi que plusieurs entrevues à la radio, notamment une entrevue à "Brave New Waves" à la Société Radio Canada et des revues de presse en français et en anglais. Llys Dana a rédigé un article de fond pour la revue parisienne des arts et culture Kanal, Le Journal des Cheyennes. J’ai aussi été photographiée par Paige Powell au Pyramid Club et la photo a par la suite été publiée dans le magazine Interview de Andy Warhol. J’ai toujours été attirée par les récits antédiluviens, et j’ai trouvé le temps de jouer le rôle d’une reine guerrière dans une pièce de théâtre montréalaise intitulée, Opus Contre Nature, où des androgynes et guerriers se livraient combat. Opus a donné naissance aux pièces musicales "Primitiv" et "Amazomium", écrites et produites par Jacques Demers et Jean Paré. Savana a été filmé sur scène à l’automne 1983 à l’Eskabel en collaboration avec P.R.I.M. vidéo. Le Conseil des arts du Canada m’accordait une bourse en 1984, ce qui m’a permis d’aller à Berlin ouest et a ouvert la voie pour mes deux premières cassettes « MétaleArbeitenSchlinge Partie 1 – Montréal » et « MétalArbeitenSchlinge Partie 2 – Berlin ». MétalArbeitenSchlinge Partie 1 – Montréal avait été lancé initialement sur cent cassettes numérotées, emballées dans une enveloppe en plastique de 5 pouces par 8 pouces incluant photos, paroles et commentaires et distribué par le magasin de disques Bunker de Montréal. J’ai lancé MétaleArbeitenSchlinge Partie 2 – Berlin à mon retour de Berlin. Les photos couvertures pour les deux cassettese ont été choisies parmi une série de clichés pris à Berlin ouest et sont l’œuvre de la photographe berlinoise Nicole Fortin. J’ai relancé Partie 1 et Partie 2 en 2009 en format MP3, ainsi que mes collaborations musicales des années 1990 « SensitivOrganz – The Warehouse Sessions », « SensitivOrganz S.O.S. » et «SensitivOrganz Porno No-No ». Mes oeuvres intitulés « Portents » et « Compositions/ Decompositions » ont été lancés peu après. Je tiens à remercier chaleureusement Zilon Lazer pour son brillant sens de lmusicalité et son soutien ainsi que Josh Fried pour son remarquable mixage live sur «Primitiv » au Pyramid Club de New York. J’ai eu le privilège tout au long de ma carrière musicale de travailler avec les incroyables vidéographes Paul « Simon Eyes » Antoniadès, qui a eu l’amabilité de documenter mon héritage de spectacles et performances en direct, et Diane « Yana Tape » Lassonde qui, avec Simon Eyes, a généreusement offert ses vidéos d’art comme installations et arrière-scènes pour mes spectacles. 19. intouch - Dummy http://intouchwithrobots.jimdo.com/ I do not know where Southern City’s Lab scouts for its bands to release, but it looks like they found a great source of awesome indie rock. The newly released free single by a band with the name ‘intouch’ is of an extremely high quality; it has the perfect guitar riffs that sound nasty, raw and even secretly catchy! This in combination with the tones of a supportive keyboard and the strong vocal performance by the lead singer makes this a potential alternative indie hit that never was. It simply deserves to be heard as the combination of nu-indie rock sounds dramatically good and wouldn’t be looked down if it got squeezed between the established commercial bands of this genre. But with the extreme difference that this epic sounding rock track is donated to whoever wants to hear and collect fine free music. It sounds so established and adult in its execution of production that this might be a right assault to commercial rock music! (c) yeahiknowitsucks 20. Der Domestizierte Mensch - Das könnte Ihnen gefallen www.youtube.com/user/MenschProblem German Industrial-Noise-Experimental Project. Music for open-minded people 21. Playman54 - Unknown Entity home Recording/garage musician old rock fan,keyboard/electronic player created in50s rock,60s wildchid experience,70s spaced out freak,80s/90s passing blur,21st century galaxy eating space sponge. weird nothings weird when you listen enjoy your ears infinity and beyond. www.facebook.com/pages/Playman54/494690650542774?ref=hl 22. Escaped Trees - Dark love Sudras http://soundcloud.com/escaped-trees http://www.facebook.com/EscapedTrees Escaped Trees (industrial electronic, dark ambient, idm) - Industrial electronic project. The project restored in 2011 23. Schroedinger's Cat - necropolis1 Schroedinger's Cat is a german Space- and KozmikrockBand, est. 1989 in Rome, Italy. Schrödinger's Cat was formed in 1989 by Busking Flatfoot Iain in Rome, Italy. In this time he met, while he was busking, a lot of people and with Marco, Massimo, Angelo and Claudia, he just had a lot of fun, and so they formed the dark psychedelic Project ‘Crying Rain’ which later was (when he was back in Germany) renamed as ‘Schroedinger’s Cat’. Iain had some troubles with the cops, so he had to leave Italy and reformed the band in 1989 in Germany. He didn’t find people, so he played all instruments by his own. In this lineup, the first 5 CDs were recorded. After a break of some years, while B.F.Iain was concentrated at his solo-career, he asked some friends to record the Armageddon Rock album; the concept of this album he wrote between 1986 and 1997; In November 1998 he was ready to record it. Without the help of Michael Seifert (the cellar room and the TASCAM tape) and Stefan Grob as Producer and his Yamaha-Tape it wouldn't be so possible as it was to record this album. So he asked Alex Weißlinde of ->'Mental Age' and ->'Slave' to play the fabolous Bass and Steffen Bähr of -> First Doom to play drums. The violin was played by W.Neeff who usually plays Bass at the band 'White Sands'; and on two songs Rainer Neeff of the Surf/Psychedelic Band The Pancakes played guitar. Stefan Grob of Groby's Cosmic Toilet played at the title tune the Lead-guitar; never heard again a guy playing guitar as fabulous like him. After that recording was finished, S's Cat made also some recordings with Let Shiva Dance Singer Dragan Vulevik alias Karma Tenzyn Gywne and some others with Larry S.Dreamer and J.D.Forsythe and The Necromancer. For the CD-Presentation at 14th of August, 1999, Stefan Krüger of 'Tuma Tuma' played Bass, W. Neeff-violin; R.Neeff-guitar, B.F.Iain-guitar,vocals and Steffen Bähr drums. Later on Werner Neeff left and Stefan Krüger also; After Reinhard Stahl appeared, Rainer Neeff was fired. Their last gig they've made with Stahl, Bähr and The Necromancer at the Spunde in Oberderdingen at April, 1st, 2000; afterwards Steffen Bähr left and R.Stahl disappeared somewhere; NOw this time I’d heard he had an heartattack and died. The Necromancer reformed the band with Larry S. Dreamer (Drums) and John D. Forsythe, who was replaced by T.H.Crowley. Buskin' F. Iain formed 'Katzenmagie' and together with Michael Kresspach of 'The Torch' and Alex Fries of 'Fourty Acres' the band 'Sons of Mercury'. After a very good session, SOM splitted; Katzenmagie recorded one maxi ‘Call of Madness’ which later was re-recorded by Schrödinger’s Cat. In Autumn 2000 Iain first recorded some albums live and a very good session with Stefan Kresspach, the brother of Michael a very good session-album in autumn 2001. In March 2002 he left Kürnbach and his wife and started to reform the Band, but 50km to the south, cloz a small city called Rastatt. At the 30th of May he played a live gig in the Rockpub V8 in Andernach, Germany as a supporting act of Tower of Electric Onions. End of June 2002, he moved to Berlin. In that year (2002) he recorded 12 new albums as Schroedinger’s Cat, but the style was more psychedelic Rock than Kozmik Rock. Also styles of Dark-wave and gothic, were found in the strange modulations of the band. At this time, He founded a new album, called Edge of time Arts & Records; E.O.T.A.R. The first release was the album ‘year of the Hawk’ which was a sampler of all new songs and of some new Versions and outtakes of elder stuff. The last record that appeared on ‘Catmagic’ was the album ‘Symphony of a sad bell’ of Spherical Noises, which was dedicated to two old friends of Iain; one died in spring, the other in autumn 2002. Also he recorded two albums with ‘Lucifer’s Rising’ and a solo-album called ‘Südlich von Kreuzberg’ (South of Kreuzberg). Also he made some new sessions with different people in Berlin and started to record a new album of Schroedinger’s Cat. At last the inspiration in Berlin was so good, that he recorded at least more than twenty albums. In spring 2003 he played with some friends of Berlin as *Beyond the realms of sleep* on a festival in Belgium; the same year he returned to the south of germany, where he still lives. In spring 2008 Iain started to play again on sessions and different places and made a solo-gig on the 40th anniversary party of an old friend in Pforzheim. still living in the south but in Hockenheim he celecrates the pre-sessions for a new album called *celtic warrior* which is his way to remember his irish and scottish past. Also the twentieth anniversary of Schroedinger’s Cat, in February 2009 is a party. So all old recordings got new covers this time and a lot of stuff which he had recorded in Berlin was released. Schroedinger’s Cat are back...a bit more dizzy than before, but with some old friends on guitar and drums; for the first recordings he took Larry S.Dreamer (aka his Yamaha DD-70 Drumbank) and later on Rainer Neeff on guitar and Steffen Baehr on drums. http://schroedingerscat.bandcamp.com/ https://www.facebook.com/schroedingerscatde 24. magnuscanty - UNITE https://soundcloud.com/subscript-official https://www.facebook.com/pages/Subscript/635317286528228 We are a Dubstep/House/Electro group who are looking for fans and for people to enjoy our music. 25. SEMPER AETERNUS - inocence SEMPER AETERNUS IS NICOLAS SANCHEZ HAARTH :SECUENCERS, GUITARS, SYNTHESIZERS - Argentina Nicolás Sánchez started playing keyboards at nine years old. Since 15 years old played with many argentinian progressive rock bands like Moriquendi(1998-2001) or stoner psichedelyc bands like Hombre Valvular(2002-2004). In paralel was recording few demos: The Architect of the seven rooms (2001), Sun Progression (2002), Hombre Valvular (2003), Talk about trees (2004), El Despertar (2005), Caos Cascada (2006), Synthesis (2007), Bydzarret (2008), Chill Out Sessions (featuring Pablo Sánchez drummer) (2009), Semper Sessions I-II-III-IV-V (Featuring Carlos Del Río)(2011). recently had recorded and explored differents areas of sound and had performed in conceptual visual ambient jams called SEMPER SESSIONS. Actually release the "SEMPER AETERNUS" homonimus album, trying to resume all of this aeternal search of sounds. myspace.com/semperaeternus https://soundcloud.com/semper-aeternus https://www.facebook.com/semper.aeternus.1 26. Karsten Hamre - An Empty Image of The World (Post Mortem) Audio Visual Artist originally from Stavanger, Norway but now residing in Bonifacio Global City, Philippines. Mainly working in the fields of music and photography. My photos mostly deal with things that surround us on a day to day basis, and the beauty of it, in its many shapes, forms and incarnations. I have also been active with music since 1994, when Penitent first came to life. Currently I record and release music under the names of Arcane Art, Defraktor, Dense Vision Shrine, Penitent, The Flux Komplex, as well as my own name. During the past years I have been performing audio visual shows either under my own name or as Defraktor, Dense Vision Shrine and Penitent. https://www.facebook.com/ThroughAlienEyes http://karstenhamre.bandcamp.com http://neokunst.bandcamp.com http://throughalieneyes.bandcamp.com 27. PTSD - the darkest houer PTSD is my electronic music project.the focus is on dark tunes .industrial dark step,dark wave sounds.... https://soundcloud.com/p-t-s-d-curehead40 http://ptsd1.bandcamp.com/album/ptsd-inside-out https://www.facebook.com/ptsdcurehead40# 28. Sonologyst - Electric guitar indication 2 Sonologyst, born in Naples (Italy), in May the 8th, 1971. After studying maths and phisics at Naples University, he got a sound technician diploma in 1999. In 2000 early experiments on electronic music start, and a 4 tracks album’s published as Memorie Elettroniche Sonore on PeopleSound , a label sponsored by TDK. After a long silence (in the meantime he’s studying guitar and improving thecnical knowledges in electronic music field) he returns to produce music, finalizing many ideas of previous years. Between the end of 2012 and the beginning of 2013 Petroglyph Music netlabel releases under the name Sonologyst “Ipotesi del continuo”, “Beyond the logic of Science” and “Forgotten Rituals”, the latter a collaboration with polish musician Dariusz Michalak. In 2013 Sirona Records releases “The waiting”, an album of electric guitar experiments in solo , and Sillage Intemporell publishes a dark industrial album in collaboration with french experimental musician Adrien Mailler aka No Way Out . In 2014 Petroglyph Music releases Unexplained Sounds album During the time various visual works have been based on Sonologyst tracks by visual artists like Cesar Naves, Alex Amerantropoides; Swoon ( search for them on You Tube ), as many single tracks were selected for compilations around the world or for radio streaming shows. You find Sonologyst on Sound Cloud https://soundcloud.com/#search?q=sonologyst on Facebook: https://www.facebook.com/profile.php?id=1330324946&ref=tn_tnmn on Youtube: http://www.youtube.com/watch?v=Wr3Q9CuAHow 29. Sabrina Pena Young - American Recall http://sabrinapenayoung.blogspot.de Award-winning composer and published author Sabrina Pena Young composes mind-numbing electroacoustic works heard in Asia, North America, Australia, and Europe. Her multimedia works have been performed at venues like the Beijing Conservatory, the International Computer Music Conference, Miramax's Project Greenlight, the Athena Festival, the New York International Independent Film Festival, Art Basil Miami, Turkey's Cinema for Peace, and Pulsefield International Exhibition of Sound Art. Libertaria: The Virtual Opera Recent projects include World Order #5, an apocalyptic tale about the decimation of the human race by a viral mutation written for the Kansas State University percussion ensemble, 3D animation, and electronic music, and the Creation, a CGI multimedia oratorio composed for the Millikin University Women's Chorus and Millikin University Percussion Ensemble. Creation won the New Genre Prize from the 2011 IAWM Search for New Music. Performances of "Light" from Creation in 2012 included performances in Argentina and NYC. In 2010 Sabrina Peña Young began work on Libertaria: The Virtual Opera, a sci-fi animated opera set in the year 2139 AD. Libertaria includes a live international cast and film crew, virtual choirs, sound synthesis, machinima, and contemporary choral writing, and is produced entirely online using crowdsourcing, social networking, and the Internet. Libertaria premieres October 5th, 2013 in Lake Worth, Florida, with additional screenings in the US and abroad. Origins, a riveting album of cinematic soundscapes, pulsating rhythms and enigmatic vocals, was released on CD Baby and i-Tunes in 2008. Origins includes World Order #1, a pounding dance piece about nuclear war and Looking Glass, a nightmarish musical poem. In 2009 Young published The Feminine Musique: Multimedia and Women Today. The Feminine Musique traces the intersection of experimental music and new media through the works of innovative composers and artists who embraced social change, technology, and music.Young has written for the Kapralova Society Journal, Percussive Notes, Panpipes, the IAWM Music Journal, the SEAMUS Music Journal, and various fine arts websites. Young taught at Florida International University and taught Sound Synthesis and composition at Murray State University where she curated the 2011 Athena 60x60 Mix with Vox Novus director Robert Voisey. Currently Young teaches university courses in Media and Music History while working on Libertaria: The Virtual Opera. 30. Ambient Insights - mod 4 Ambient Insights er Andreas Mørck og Peter Wærums fællesprojekt. Vores musik giver ro på ungerne og kan bruges både til meditation, når de skal falde i søvn, til healing og hvis du har brug for at koncentrere dig. Særligt sensitive børn har ekstra god glæde af denne type musik/meditation. http://ambientinsights.bandcamp.com/ #### Tangerine Tom Antz & Bones Elypixa Sencer Kilic LndMTHRFCKR Red Clouds Corvus Mukuro Project Spectroscope Symmetry Sven Meyer Cousin Silas EXEDO Desh Alb Swun Tsone kold Member 01 Vava Vol intouch Der Domestizierte Mensch Playman54 Escaped Trees Schroedinger's Cat magnuscanty SEMPER AETERNUS Karsten Hamre PTSD Sonologyst Sabrina Pena Young Ambient Insights http://www.facebook.com/events/251548571668457 cover and layout: Julia Z. www.facebook.com/zucker.knopf compilation: glasklinge zeitenlicht Midnight Radio compilation various artists, your place for underground music and sounds. enjoy and spread it worldwide. come with me. MRCVA: [being part of one (or more) of next compilations various artists? all styles are allowed. contact me. (artist name, track name, website link [infos about you?] ) WAV, FLAC, MP3, etc. send to (contact for email: http://avantgarde.glasklinge.de/email-contact/) www.wetransfer.com notice, some people think, this is a radio station and ask me to play her favorite song. this is not a radio station. this ist a free download compliation with various artists and her own, hand or software made music. www.facebook.com/midnightradio11 (dark) + ambient|avantgarde|experimental|electronic|and more midnightradio-compilation is a part of: avantgarde.glasklinge.de midnightradio11.de midnightradio11.bandcamp.com www.eisenlager.com regards, glasklinge zeitenlicht
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